There’s a low, flat expanse of farmland along Vermont Route 7, just before you enter Rutland, where the hills rise against the flatness of the valley, forming massive blue backdrops. “Lowland Blue” transposes the weathered, mult-colored hues of old and newer wood, against this hazy blue backdrop.
“Well, aren’t YOU full of Vim and Vigor!”
My mother used to declare this whenever I, as a kid, displayed exuberance beyond the norm. But I never knew you could actually GET the stuff!
I just discovered this morning that New England’s great purveyor of dry goods and remedies from yesteryear, Vermont Country Store, apparently found a source, and may give 5-hour energy a good old-fashioned run for their money…
I have no idea what’s in it, but if my mother thought I was, at times, full of it, it’s gotta be good.
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I was pleased to recently receive a request for five paintings to be shown at Art Essex, in beautiful Essex, CT, in the 5,000-square foot space of the former Left Bank Gallery. Owned and run by George Billis, of the George Billis Gallery (LA and NY) this new venue showcases work of artists from those galleries, as well as more local names, including Jacques Pepin, Robert Cardinal, Phar and Paul Schulenburg and Steve Kennedy. Nice to be in the company of such great talent!
If you’re in Essex, stop by the Main Street gallery (you can’t miss it). If you’re not going to be in Essex, plan a trip there…great town! To view work available at Art Essex, visit the gallery site.
Sometimes, when you’ve not picked up a brush in a couple weeks, the impulse to paint can both die down and build up. A couple of non-studio projects have keep me busy, but I recently made time to get a piece underway that’s been in the drawing stage for several weeks.
This piece, “Island Color” is in its early stages, inspired from an old wrap-around porch on an old house on Plum Island (part of Newburyport, MA). When I saw this building the mid-day light hitting the dormers (and casting the long shadows I love to paint) caught my eye. But the building itself was void of color. A plain, gray (not even nice weathered gray, just bleak gray paint). In starting the piece, I decided it was about color, less the house itself. Though incomplete, the color is giving this place personality and life. In reality, it’s a great old building, but unremarkable at a casual glance.
There’s work to be done correcting perspectives (right dormer perspective is wrong), and the red grass in foreground will be more sap green, but overall the feel of this piece is right. When complete (this week), Island Color will be offered to ArtEssex Gallery a new venue I’m looking forward to working with in Connecticut.
